Stephen Chase composes, improvises, sometimes writes, walks quite a lot. His work veers between conceptual strategies and following-his-nose, and is drawn to such things as the relationship between physical action and sound production, the influence of group interactions upon the shape of a work, and the acoustic characteristics of a space. He has collaborated variously with Ross Parfitt, Philip Thomas, Exaudi, Quatuor Bozzini, Apartment House, Berlin’s Ensemble Zwischentöne, Music We’d Like to Hear, Sound Intermedia, BBC Singers, Mick Beck, edges, THF Drenching, Gwilly Edmondez, Coastguard All Stars, Husk, Gated Community, Damo Suzuki, omoplate sarangi, murmuration, and Freaking Glamorous Teapot. He co-edited a book of essays with Philip Thomas on the music of Christian Wolff for Ashgate. He has also returned to playing other people’s music for solo guitar, specialising in premiering music by composers whose first initial is J: so far, James Saunders, James Weeks, Jennie Gottschalk and Jürg Frey.
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